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In the bustling heart of London, the National Gallery began its life in 1824, initially occupying the former townhouse of banker John Julius Angerstein at No.100 Pall Mall. The modest beginning—with just 38 paintings—was the spark for what would grow into one of the world’s most revered art institutions. In April 1824 the House of Commons agreed to pay £57,000 for the picture collection of the banker John Julius Angerstein. His 38 pictures were intended to form the core of a new national collection, for the enjoyment and education of all.

The Evolution of a Landmark

The National Gallery’s early days at No.100 Pall Mall weren’t exactly glamorous. It was small, stuffy, and constantly packed, making it a bit of an embarrassment compared to the grandeur of the Louvre in Paris. However, Agar Ellis, a trustee of the gallery, saw its location on Pall Mall as crucial, right in the heart of London’s hustle and bustle.

In 1832, construction started on a new building by William Wilkins, replacing the old Royal Mews in Charing Cross. Positioned between the affluent West End and less privileged areas to the east, its location was strategic. The idea was to make the collection accessible to people from all walks of life, prioritising social inclusion over concerns like city pollution or architectural flaws.

Even as the possibility of moving to South Kensington arose in the 1850s, the emphasis remained on making art available to everyone. As stated by the Parliamentary Commission of 1857, the purpose of the collection wasn’t just to display pictures, but to enrich the lives of the people, regardless of their social standing.

Today, the National Gallery is a vibrant hub for art lovers of all backgrounds. It’s diverse collection, ranging from iconic masterpieces to hidden gems, offers endless opportunities for exploration and inspiration. Through exhibitions, educational programs, and digital initiatives, the gallery provides a welcoming environment where everyone can engage with art.

Celebrating 200 Years of Art

In recognition of its 200th anniversary, the National Gallery is celebrated with a special coin designed by Edwina Ellis, known for her detailed engravings. The coin beautifully features the gallery at its center, surrounded by the inscription of the anniversary. This keepsake is not just a piece of metal but a symbol of the gallery’s enduring legacy, available in gold, silver, and uncirculated editions.

The edge of the coin bears the inscription ‘MAIORVM GLORIA POSTERIS LVMEN EST’, meaning “The glory of our ancestors is a light to our descendants.” This phrase, inscribed in the gallery’s very architecture, encapsulates the essence of the National Gallery: a portal to the past and a beacon for the future.

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